La questione dello sguardo e dei suoi orientamenti nello spazio, la riflessione sullo spazio come campo di forze o come campo. I problemi dell’occhio in relazione alla cecità della materia organica sono affrontati attraverso una serie di immagini e pensieri da parte di uno dei maggiori artisti concettuali.
The question of the glance and its orientation in space, reflection on space as field of force, or as field. The problems of the eye in relation to the blindness of organic matter are tackled through a series of images and thoughts by one of the major conceptual artists.
Gianfranco Baruchello. His research began at the end of the fifties. In 1962 he exhibited for the first time in New York at the collective show “The New Realists”. His experiments with the electronic image date to the early seventies. He also began to create object-assemblages in the form of showcases. In the mid seventies he founded the company “Agricola Cornelia S.p.A.”. He subsequently worked on the concept of loss of quality (use of photocopy and the photocopy of the photocopy). He set up the Baruchello Foundation which carries out wide-ranging activities in contemporary artistic research.